In Many Hands

Kate McIntosh
Performance, 2016

Concept & Direction: Kate McIntosh

Developed in collaboration with: Arantxa Martinez, Josh Rutter

Presented with: Lucie Schroeder

Sound: John Avery

Light & technique: Joëlle Reyns

Technical direction tour: Michele Piazzi, Koen De Saeger

Artistic advice: Dries Douibi, Gary Stevens

Studio Assistance: Lucie Schroeder

Drawings: Daria Gatti

Production: Sarah Parolin, Linda Sepp

Production assistance: Jana Durnez, Anneliese Ostertag, Mara Kirchberg
Finances: Laura Deschepper, Ingrid Vranken

Produced by: SPIN

Coproduction: PACT Zollverein (DE), Parc de la Villette (FR), Kaaitheater (BE), Vooruit Kunstencentrum (BE), BIT Teatergarasjen (NO), Black Box Teater (NO), Schauspiel Leipzig (DE), théâtre Garonne - scène européenne (FR), far° festival des arts vivants (CH), House on Fire Network (EU), and the Open Latitudes Network (EU).

Supported by: Vlaamse Overheid, Vlaamse Gemeenschapscommissie, NATIONALES PERFORMANCE NETZ (NPN), Pianofabriek kunstenwerkplaats (BE), Tanzfabrik (DE)

SPIN is structurally supported by BUDA Kunstencentrum for the period 2017 – 2021

Thanks to: Tom Bruwier, Martin Pilz, Andrea Parolin

© Mandy Lyn / Unknown

Recent visitors to Kate McIntosh's works have been involved in many ways. Some broke apart domestic objects and made new inventions from the fragments ('Worktable' installation 2011). Other audiences examined a kind of collectivity - throwing furniture across the stage, uniting as an orchestra of rain-makers, collecting their own bacteria, and imagining themselves as birds ('All Ears' performance 2013).

The invitations in these works sprang from Kate's ongoing curiosity to bodily involve an audience, and to imagine a social space where individuals might explore their own agency as well as a communality. Her new project 'In Many Hands' wades further into these experiences.

With In Many Hands Kate dives into the tactile and the multi-sensory, inviting the audience to test, touch, listen, search and sniff. This project steps away from the stage - instead bringing the audience into a series of aesthetic sensory situations, and inviting them to experiment with materials and encounter physical phenomena themselves. If one really does learn-by-doing, then what's learned here is a sensitization of nerves, a tuning of attention, a priming of curiosity. 'In Many Hands' is part laboratory, part expedition, part meditation - as it unfolds, visitors take their time to engage and explore as they wish, following their noses and curiosities.

As always, Kate's work is guided by her ongoing fascinations with the misuse of objects, playfulness with the audience and an off-beat humour.

"...raw and human."
Chelsea Borgman,, 13/15/18

"... develops a subtle and intelligent community."
Bettine Trouwborst, WAZ, 18/10/16

"After about 45 minutes, there is probably no one in the room whose hands are not completely filthy… A rare and wonderful offer to concentrate on yourself without losing sight of your fellow human beings."
Lisa Kerlin,, 17/10/16

"Kate McIntosh connects the people in her audience without having a word exchanged - without even knowing each other's faces."
Rozemarijn van Kalmthout, tumult, 10/11/16

"A simple and radical concept"
Ive Stevenheydens, Metropolis M, 09/04/17

"… offering and accepting gifts without the undertone of possession or accumulation, was immensely gratifying."
Annelyse Gelman,, 01/05/18

© Dirk Rose
© Dirk Rose
© Dirk Rose
© Dirk Rose
© Dirk Rose